First Troupe of the China National Peking Opera Company

First Troupe of the China National Peking Opera Company made their debut at the Chinese Opera Festival in 2012 and attracted wide public acclaim. This year, they are returning with a spectacular selection of performances. Renowned Peking Opera laosheng (old male) artist Yu Kuizhi will lead in the emotively grand All Red Is the River and perform a fervent sad song. Li Shengsu, representative bearer of the Mei Lanfang style will perform Ladies of the Great Yang Family, an opera that has passed down four generations within the troupe; showing both her civil and martial styles in this repertoire. Guest artist Yang Chi, the Director of the Dalian Peking Opera Theatre and renowned hualian (painted face) artist studied with hualian master Yuan Shihai, inherited the quintessence of the Yuan style. He will put on a sensational show of the classic hualian masterpiece At the Mouth of Jiujiang River. In the popular piece The Incarceration of Su San, the heroine has been played by the four great dan (female) artists. The fine young actors of the company will combine the art of the four great dan artists Mei Lanfang, Cheng Yanqiu, Xun Huisheng and Zhang Junqiu to perform the repertoire. The grace and depth of the Mei style; the subtlety and profoundness of the Cheng style; the organic and unpretentious elegance of the Xun style and the bold yet enchanting traits of the Zhang style would all be demonstrated in one performance. Yu Kuizhi will conclude the programme on a high note by performing Vengeance in a Black Pot - his most popular title and a laosheng classic with brilliant singing pieces.

First Troupe of the China National Peking Opera Company
4/8   (Thu)   7:30pm
Grand Theatre, Hong Kong Cultural Centre

All Red Is the River

The plot originates from the episode from Yue Fei’s vows before his troops to his sacrificing himself at Fengbo Pavilion, to reflect the tragedy of his death before achieving his ambitions and his loss to crafty treacherous enemies. Yu Kuizhi inherits the artful expression of master Li Shaochun, his acting is stylish and impressive, and he is good at playing both civil and military roles. He delicately renders the scholarly chic of the poet in Yue Fei and also the tragic hero in him.
During the early times of the Southern Song dynasty, the imperials of the Jin kingdom who invades and occupies the Central region sends massive troops further south for invasion. Yue Fei leads the Yue family troops and the resistance generals to courageously fight back and contact the voluntary troops of the two Rivers to cooperate in the battles to fight their way up north. They win battle after battle until they reach the southern banks of the Yellow River. The troops are in high morale, and voluntary troops are eager to receive the “Yue” character flags. In order to save the losing war, the imperials of the Jin kingdom “talk peace while preparing for invasion”, through Southern Song’s traitor Qin Hui, who makes use of Emperor Gao’s underlying apprehension and threaten Emperor Gao to ask for peace – that is if the war against Jin is won, then Emperor Qin who has been captured by Jin will return and scramble for Gao’s throne. When Yue Fei vows to his troops at the crossing and ready to cross the river to fight his way up north as he recites his poem All Red is the River, Emperor Gao suddenly retreats the various troops ready for the expedition up north, and in one single day he places twelve imperial orders for Yue Fei’s return. When the public hear the news, they rush forward to stop the horses and troops. Both the military men and commoners cry in sadness and the sounds of their crying shake the plains.
Cast    Yu Kuizhi, Li Shengsu, Yang Chi, Jiang Qihu, Wang Yue, Liu Kuikui, Wang Jue, Chen Guosen, Hu Bin, Ma Xiangfei, Liu Mengjiao
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5/8   (Fri)   7:30pm
Grand Theatre, Hong Kong Cultural Centre
Ladies of the Great Yang Family
This is a legend about the Yang Family, all women, take the task of commanding the troops to protect their kingdom during the Song dynasty; there are heart-rending singing and magnificent scenes of profound meaning. Renowned qingyi (virtuous female) role of the Mei (Lanfang) stylistic school, Li Shengsu, inherits the style of Peking Opera artist Yang Qiuling, whose acting is robust and skilful with depth and elegance.
Happiness prevails at Tianbo Mansion as the 100 years old Madam She hosts the 50th birthday celebration for her grandson, Yang Zongbao, who guards the borders. All of a sudden, bad news breaks that the Duke of Xixia invades with his troops and Zongbao has been unfortunately killed in action. The news shakes the imperial court which intends to make peace. Madam She keeps her sadness in and leads her widowed daughter-in-law, grand daughter-in-law and her oldest grandson Yang Wenguang, etc. to bravely lead the troops, and the whole family went on an expedition to protect their kingdom. The young Yang Wenguang also asks for permission to go with the troops to battle the enemies; despite that his mother Mu Guiying shares his intention, Wenguang’s grandmother, Princess Chai is worried about losing this only son in the Yang family and does not approve for him to go along. Madam She orders Guiying to fight with Wenguang on the practice grounds to determine whether he has the martial skills to go. At Yang Wenguang’s pleading and Mu Guiying’s secret yielding to Wenguang, Madam She finally approves for Wenguang to go along to the borders. At the battleground, the Duke of Xixia retreats back to their old barracks in defeat. While on defence at a strategic spot, the Duke of Xixia plots to trap Wenguang in the Hulu Valley in order to threaten the Yang family. Madam She and Mu Guiying see through the trick, and from the words of horse attendant Zhang Biao, it is proven that when Zongbao was alive, he found during his explorations that there is a plank road which can let them through the dangerous location to make a surprise attack on the enemies. So Mu Guiying asks Madam She for permission to force into the Valley in order to turn Duke of Xixia’s trick against him. Madam She gives permission and gives Zongbao’s White Dragon Horse as a gift to Wenguang to boost his morale. Guiying and her son and Yang Qiniang, etc. are led by Zhang Biao into the dangerous valley. They pass by many hills and go through many difficulties, eventually, guided by local people and herb collectors who are familiar with the way, they climb onto the plank road to make a successful surprise attack.
Cast     Li Shengsu, Zhang Jing, Yu Kuizhi, Zhu Hong, Liu Lei, Chen Guosen, Liu Kuikui, Pan Yuejiao, Dai Zhongyu, Ma Xiangfei, Wang Haoqiang, Hu Bin, Wei Jiaqing, Xu Minyun, Wang Jue
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6/8   (Sat)   2:30pm
Grand Theatre, Hong Kong Cultural Centre
The Incarceration of Su San (Complete edition)
The Incarceration of Su San is universally appreciated, and is popular amongst dan (female) roles of all stylistic schools. The Theatre’s excellent young performers adhere strictly to the characteristics of the Xun (Huisheng), Mei (Lanfang), Zhang (Junqiu), Cheng (Yanqiu) stylistic schools to play the role of Su San in Courtesan House, Su San Qi Jie, Joint Trial by Three Magistrates, Meeting in Prison and Reunited, and demonstrate to the full the variety of interpretation and classical implications.
Famous courtesan Su San (Yu Tang Chun) is an acquaintance of Wang Jinlong, the son of the Minister of Personnel; they vow to spend the rest of their lives together. When Wang Jinlong is expelled from the courtesan house by its keeper, Su San sets her mind not to see another customer. The keeper then plots to sell her off to a wealthy merchant, Shen Yanlin, to be his concubine. Shen’s wife, surnamed Pi, commits adultery with Zhao Jiansheng; she kills Shen by poisoning him and wrongs Su San for murder. The county magistrate is bribed and he sentences Su San to death. Court bailiff Chong Gongdao escorts Su San from Hongdong to Taiyuan for re-trial. On their way, Su San reveals her story and Chong comforts her. When Su San reaches Taiyuan under escort, she is tried jointly by three magistrates; coincidentally the Civil Governor is Wang Jinlong. At the sight of Su, Wang cannot stay composed, and his affection is noticed by the other two magistrates, Provincial Governor Pan Bizheng and Provincial Judge Liu Bingyi, so Su San is not sent for final trial. Liu is advised by Pan to bring justice to the case. Wang and Su are happily reunited.
Cast    Song Yixuan (Xun school), Zhu Hong (Mei school), Liu Mengjiao (Zhang school), Lu Yaoyao (Cheng school), Chen Guosen, Chen Xuzhi, Wang Baoli, Xu Teng, Wang Jue
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6/8   (Sat)   7:30pm
Grand Theatre, Hong Kong Cultural Centre
At the Mouth of Jiujiang River
2016 marks the 100th birthday of famous hualian (painted face) artist, Yuan Shihai. His protégé, Yang Chi collaborated with Jiang Qihu, xiaosheng (young male) of the Ye (Shenglan) stylistic school, and an array of outstanding actors performed in the representative work of the Yuan stylistic school, At the Mouth of Jiujiang River to commemorate Yuan. The acting of Zhang Dingbian against Hua Yunlong is full of tension, as Zhang is roaring in heroism while Hua is agile and witty, and their heroic pride is well-matched.
Towards the end of the Yuan dynasty, revolt explodes in all directions. Local voluntary army chiefs of various places make themselves the local ruler. On the one hand they fight against the rule of Yuan, on the other hand they battle with one another in the strife to become emperor. With the aim to attack Zhu Yuanzhang in the capital city Jinling, Chen Youliang, King of Han in Jiangzhou, joins forces with Zhang Shicheng, King of Gusu, and negotiate with Zhang Dingbian, the grand marshal, to send Hu Lan to invite Zhang Shicheng’s son, Zhang Ren, to come over to get married, and capitalize on the opportunity to negotiate on joining forces. Hu Lan and Zhang Ren are captured on their way, so Liu Bowen, the military adviser, plays the trick against the enemies to talk Hu Lan into surrendering and deploys General Hua Yunlong to impersonate Zhang Ren to get married; appointment is also made with Chen Youliang to send troops into Yu Mountain on the 15th day of the 8th month so as to attract the enemies to go deep into the mountains and capture them all at one time. When Zhang Dingbian first sees Hua Yunlong, he was suspicious; in the first reception banquet, he keeps probing and finally finds a loophole. After returning to his residence, he tortures Hu Lan. Hu Lan confesses the truth and commits suicide out of guilt. Zhang Dingbian, who has the confession in hand, thinks that Hua Yunlong will easily succumb to him. To his surprise, as Hua Yunlong and Zhang Ren look similar, so Chen Youliang has no doubt at all; as Hu Lan is dead, there is no way to verify the truth. Zhang Dingbian is in turn ridiculed by Hua Yunlong, who renders Zhang in disadvantage. To protect the foundations of Northern Han, Zhang Dingbian must make thorough investigations to expose the ploy of Jinling in the impersonated marriage. On the day of the Princess’ wedding, he rushes into the wedding hall and captures Hua Yunlong. Just as he is about to torture Hua for confession, to his surprises Hua is saved by Chen Youjie. Chen Youliang is afraid of offending Zhang Shicheng, so he rescinds Zhang Dingbian’s commander seal, and sends troops to Yu Mountain as planned. When seeing that Chen Youliang is unswerving, Zhang Dingbian puts on his mourning outfit and tries to intercept Chen Youliang. However, Chen Youliang is keen for honour and achievement, so he does not listen to Zhang. When the troops arrive at Yu Mountain, they really fell into the trap and the Jinling troops set fire there. Just as the situation becomes emergent, the loyal Zhang Dingbian sets aside previous grudges, rides by boat to the mouth of Jiujiang, fights the enemy troops until they retreat and saves his king.
Cast    Yang Chi, Jiang Qihu, Liu Kuikui, Hu Bin, Wei Jiaqing, Dai Zhongyu, Zhang Jing, Xu Teng
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7/8   (Sun)   7:30pm
Grand Theatre, Hong Kong Cultural Centre
Excerpts
A Prison Visit from Snow in Summer
In Cheng Yanqiu’s masterpiece, the excerpt A Prison Visit is the best part of Snow in Summer. In the most moving part on “untold thoughts of the past sadden the heart” is largely sung in “erhuang manban”, the singing is intertwined with sighing and grips the audience’s heart.
Scholar Cai Changzong goes to the capital city to take the imperial examination. The maid, surnamed Zhang, sends her son Luer to go along with Cai. Luer sets his eyes on having Changzong’s wife, Dou E, for himself, so on the way he pushes Changzong into the river and goes home to lie that Changzong fell into the water and died. Cai’s mother falls ill from serious sadness and wishes to have some goat stomach soup. Luer secretly puts poison into the soup in his plot to kill Madam Cai. However, the soup gets eaten by Luer’s own mother, and she dies right away. Luer capitalizes on the opportunity to extort the women under false pretences, and wants to take Dou E by force. He lodges a case with the magistrate, who tortures the women to extract confession. Dou E cannot stand seeing her mother-in-law tortured, so she gives false confession and gets sentenced to decapitation. The execution takes place in summer, suddenly it snows heavily, and the county chief is extremely frightened. Dou E’s father, Imperial Commissioner Dou Tianzhang, comes to Jiangnan for investigation and has saved Changzong on his way; he meets the county people who cry out injustice for Dou E, so he arrests Zhang Luer and conducts a trial. Changzong returns home with the title of top scholar in the imperial examination. The whole family is happily reunited.
Cast    Li Wenying, Zhang Jing, Wang Jue
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Vengeance in a Black Pot
The plot is originated from Chapter 5 of Qing novel Three Knights-errant and Five Rats, a.k.a. Vengeance of an Injustice. It is a legendary court case and is also a fable with teachings. Yu Kuizhi plays the role of Liu Shichang whose arias are of flowing charms. The song in “erhuang yuanban” - “Old Man Needs Not Be Afraid” moves the audience so much that all would sigh at destiny.
Liu Shichang, silks and satins trader of Nanyang during the Song dynasty, passes by Dingyuan County on his way home with the proceeds from his business. The rains are heavy so he seeks refuge at the home of a potter, Zhao Da. Zhao plans to kill him for his money. He poisons Liu Shichang and burns his body to ashes. He makes a black pot with the ashes so as to remove evidence of the murder. Three years later, an elderly man, Zhang Biegu, tries to recover some debts from Zhao Da; instead of repaying with money, Zhao gives Zhang the black pot. Liu Shichang weeps to Zhang and tells his grievance. Zhang brings the black pot to Dingyuan County and lodges a case with Magistrate Bao Zheng. Bao hears the case, and arrests Zhao Da. Justice is upheld for Liu Shichang.
Cast    Yu Kuizhi, Chen Guosen, Wang Yue, Liu Kuikui, Wang Jue, Liu Bo, Jin Jianping
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First Troupe of the China National Peking Opera Company
The China National Peking Opera Company was established in 1955. The first President of the Company is the Peking Opera master Mei Lanfang. Since the early 50s of last century, the First Troupe has brought together a large number of outstanding performing artists such as Li Shaochun, Ye Shenglan, Yuan Shihai, Du Jinfang, while the current representative artists are Yu Kuizhi and Li Shengsu, etc. Key actor Yu Kuizhi is honoured as “Leading Figure in the Art of Contemporary Peking Opera”, while Troupe Director Li Shengsu has made excellent achievements in passing on the Mei stylistic school. The artistic pillars of the troupe include such National Class One Performers as Tuo Zhiguo, Guan Bo, Zhang Wei, Ma Xiangfei, Zhang Jing, Chen Guoshen, Liu Kuikui, Guo Yaoyao, etc. The troupe also endeavours to nurture a new generation of excellent young talents in Peking Opera, they include Chen Jing, Hu Bin, Pan Yuejiao, Song Yixuan, Lu Yaoyao, Zhu Hong, Liu Lei, Li Wenying, Liu Mengjiao, Wang Haoqiang, Guo Xiaolei, Wang Jue, Liu Bo, Zhang Zhifang, etc. Over the years, the troupe has the long-term support of invited appearance of renowned artists including Yang Chi, Zhu Qiang, Meng Guanglu, Zhao Baoxiu, Yang Yanyi, Xi Zhonglu, Wang Yue, Zhang Ping, Jiang Qifu, etc. The troupe also relies on the older generation of artists for their passing on of styles and legacies, they are Sun Hongxun, Zheng Yan, Song Feng, Sun Guiyuan, Zhan Lan, Ye Tiesen, Huo Jianhua, etc. In the various major national arts competitions, the First Troupe has repeatedly won the Company various awards, and many individuals of the Company were honoured, including the Wenhua Award, the Five “One” Project Award, National Peking Opera Festival, National Fine Stage Arts Project, Mei Lanfang Gold Award, and Plum Blossom Award for Chinese Theatre, etc. The Company also shoulders the mission of cultural exchange, and has visited various countries in Europe, the Americas, Asia, and Africa as well as Hong Kong, Macau and Taiwan regions, and has won popular acclaim from the local and foreign audience.



First Troupe of the China National Peking Opera Company

Yu Kuizhi

National Class One Performer. Yu Kuizhi is currently the Vice President and Artistic Adviser of the China National Peking Opera Company, and the Vice Chairman of the Chinese Dramatists’ Association. He is honoured as the “Number One Old Male Role Performer in China”. A protégé of predecessor artists include Huang Yunpeng, Yang Yuanyong, Ye Peng, Li Shilin, Wang Shixu, He Jinhai, Kong Yan, Liu Fusheng, Li Mingsheng, Yu Yuanjun, Zhu Yuankun, etc. Between 2001 and 2010, he served as the Director of the First Troupe of the China National Peking Opera Company. Won the 7th Plum Blossom Award for Chinese Theatre (1989), the Mei Lanfang Gold Award (1993) and the Wenhua Performance Award (2010).
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Li Shengsu

National Class One Performer and currently the Director of the First Troupe of the China National Peking Opera Company, Li Shengsu won the 13th Plum Blossom Award for Chinese Theatre (1995). She was the Director of the Mei Lanfang Youth Peking Opera Troupe of the Peking Opera Theatre of Shanxi. Her voice is clear and sweet and she is good with both civil and military roles, rendering her the most brilliant character of the Mei stylistic school of contemporary times.
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Yang Chi (Guest)

National Class One Performer, specialises in hualian (painted face) roles. Yang Chi is currently the Director of the Dalian Peking Opera Theatre. In 1982, he became a protégé of famous Peking Opera artist Yuan Shihai. His full and rigorous voice and adept acting skills render him suitable for both civil and military roles. A winner of the 8th Plum Blossom Award for Chinese Theatre (1991); the Mei Lanfang Gold Award (1994); the 9th Wenhua Performance Award of the Ministry of Culture (2000); the Lead Actor Award at the 12th Shanghai White Magnolia Awards for Theatrical Art (2002).
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Jiang Qihu

National Class One Performer, specialises in xiaosheng (young male) roles. Jiang Qihu is currently the Executive Vice Director of the Second Troupe of the China National Peking Opera Company. He is a protégé of the famous Peking Opera artist Ye Shaolan, and follows the Ye stylistic school. He is also a protégé of Jiang Shiyu, Bi Gaoxiu, Li Debin, Li Jinhong, Qu Yongxu, Xiao Runde, Xia Rongquan, etc. Jiang Qihu’s voice is naturally mellow and full, with adept performance skills he is good with both civil and military roles. His representing repertoires include Congregation of the Heros, Lu Bu and Diao Chan, The Eight Mallets, Chastising the Nephew and Visiting the Grave, The Number One Scholar Zhang Xie , etc.
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Zhang Jing

National Class One Performer, specialises in laodan (old female) roles, Zhang Jing has learnt from famous Peking Opera artists and educationalists Wang Yumin and Kong Yan, and was taught personally by famous artists Wang Jinghua, Li Mingyan, Zhang Lan, etc. Her sweet and loud voice has won her the Outstanding Award in the 5th Chinese Arts Festival and the Excellent Performance Award of the Ministry of Culture’s Drama Showcase.
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Wang Yue

National Class One Performer and a protégé of Li Changchun. Wang Yue’s representative repertoires include Subduing the Five Powers, Chisang Town, Executing Chen Shimei, Yao Qi, Trilogy of the Dragon and Phoenix Pavilion, Li Kui Visits his Mother, etc. A winner of the Performance Award in the 12th Shanxi Apricot Blossoms Award (2009) and the Class One Performance Award (Excerpt) in the All China Accreditation Showcase of Outstanding Young Performers in Peking Opera (2012).
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Chen Guosen

National Class One Performer, specialises in chou (comic) roles and has been taught by Wang Ronghan, Niu Biao, Kou Chunhua, etc. He has played main roles in such repertoires as Visiting the Graves, The Young Cowherd, Su San Qi Jie, Chuncao Barging into the Courtroom, Autumn River, The Fisherman, Liansheng Guesthouse, etc.
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Liu Kuikui

National Class One Performer who graduated from the Shenyang Academy of Arts, Liu has learnt the performing skills of painted face roles of tongchui and jiazi from Chang Minggui, Zhao Shipu, Jing Changsheng, Wang Qingyuan, Zhu Deming, etc. In 2012, Liu became a protégé of Yang Chi, who is the famous heir of Yuan stylistic school of hualian roles. Won the Gold Award (Painted Face) in the All China Television Grand Prix for Young Peking Opera Performers in 2005.
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Ma Xiangfei

National Class One Performer specialising in laosheng roles, Ma Xiangfei became a protégé of famous educationalist Ye Peng in 2010. He has performed in such repertoires as Taking Tiger Mountain by Stratagem, The Fourth Son, The Golden Terrace, Castigating Cao Cao in the World of the Living and the Dead, The Wandering Dragon Toys with the Phoenix, A Trilogy of The Three Kingdoms – A Northern Expedition by Zhu Geliang, etc. and won an award in the All China Accreditation Showcase of Outstanding Young Performers in Peking Opera in 2000.
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Li Wenying

Outstanding young performer who graduated from the National Academy of Chinese Theatre Arts and specialises in qingyi (virtuous female) roles of the Cheng stylistic school, Li Wenying has been taught by Zhang Manling, Chen Qi, Li Wenmin, Zhong Rong, Zhang Huoding, Wang Xiaoyan, Zhang Lili, etc. to learn such repertoires as A Spring Dream in the Boudoir, Tears of Barren Hill, The Unicorn Pouch, Castigation from a Former Empress, Snow in Summer, etc.
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Song Yixuan

National Class Two Performer who has been taught by Xu Ruoying, Zhang Yijuan, Chen Guowei, Song Danju, Qiao Cuirong, etc., Song Yixuan’s pretty appearance and a clear, sweet voice made her an all-rounded excellent young performer in young female roles.
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Zhu Hong

Outstanding young performer specialising in qingyi and huashan (flower-robed female) roles of the Mei stylistic school, Zhu Hong graduated from the National Academy of Chinese Theatre Arts, and has been taught by Li Yutang, Zhang Zheng, Wang Zhiyi, Ma Xiaoman, Li Weikang, Liu Xiurong, Chen Shufang, Wang Xiaoyan, Ma Shuai, Ma Hairong, etc. to learn such repertoires as The Cosmo Sword, Xue Pinggui Testing His Wife, Xishi, Mu Guiying Takes Up the General’s Seal, etc.
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Liu Mengjiao

Outstanding young performer specialising in qingyi roles of the Zhang stylistic school, Liu Mengjiao graduated from the Shanghai Theatre Academy and has been taught by Zhang Ping, Qin Yan, Chen Xiaoyan, Zhao Qun, Zhou Baisui, etc. to learn such repertoires as Qin Xianglian, Pavilion of Spring and Autumn, Riverside Pavilion, Red-maned Steed, etc. Won in 2010 the Bronze Award of the 1st Drama Academy Television Competition.
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Lu Yaoyao

Specialises in qingyi roles of the Cheng stylistic school. Graduate of the National Academy of Chinese Theatre Arts. Lu Yaoyao has been taught by Chen Qi and Zhang Manling, etc. The repertoires in which she performed include The Red-Maned Steed, The Incarceration of Su San, Fen River Bay, The Unicorn Pouch, etc.
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First Troupe of the China National Peking Opera Company
4-7/8   Thu - Sun   7:30pm
Grand Theatre, Hong Kong Cultural Centre
Price   
票價顏色 1 $420   票價顏色 2 $320   票價顏色 3 $220   票價顏色 4 $120
香港文化中心大劇院 舞台
6/8   Sat   2:30pm
Price   
票價顏色 1 $280   票價顏色 2 $200   票價顏色 3 $140   票價顏色 4 $100
Internet Booking: www.urbtix.hk
  • With Chinese and English surtitles.
  • Please refer to the ‘Extension Activities’ page for details of extension activities
  • The running time of each performance is approximately 2 hours and 30 minutes including an intermission of 15 minutes.
Programme Enquiries: 2268 7325
Ticketing Enquiries: 3761 6661
Credit Card Telephone Booking: 2111 5999


Please click here for discount scheme details.
First Troupe of the China National Peking Opera Company
中國國家京劇院一團背景色
First Troupe of the China National Peking Opera Company