Peking Opera Research Centre of Hebei Xue Pinggui Returning to His Humble Abode Pei YanlingFour Stylistic Schools of Xiaosheng Roles in Yue Opera Torturing Kouzhu from How a Dead Cat Was Substituted for a New-born Prince  Wu FenghuaFour Stylistic Schools of Xiaosheng Roles in Yue Opera Seeking out His Wife at the Mulberry Orchard and Fortune-telling from He Wenxiu  Zhao ZhigangFour Stylistic Schools of Xiaosheng Roles in Yue Opera The Dream of the Red Chamber  Zhang XiaojunFour Stylistic Schools of Xiaosheng Roles in Yue Opera Fang Qing Visits His Aunt from The Pearl Pagoda  Xu BiaoxinA New Cantonese Opera Investigation to Redress a Wrong  Lee LungA New Cantonese Opera Investigation to Redress a Wrong  Lung Koon-tinA New Cantonese Opera Investigation to Redress a Wrong  Wong Chiu-kwanReverberating Notes from South China Highlights of the Eight Classic Pieces  Artistic Director: Leung So-kamReverberating Notes from South China Highlights of the Eight Classic Pieces  Yuen Siu-fai, Law Kar-ying, Liu Kwok-sum (left to right)Reverberating Notes from South China Highlights of the Eight Classic Pieces    Cheng Wing-mui, Leung Wai-hong, Lai Yiu-wai, Song Hongbo, Li Pui-yan (left to right)Reverberating Notes from South China Highlights of the Eight Classic Pieces Leung Chi-kit, Sun Kim-long, Ting Oi-lin (left to right)Reverberating Notes from South China Highlights of the Eight Classic Pieces  Ho Ka-yiu, Cheng Man-yee, Wong Hok-chiu, Yuen Tak-man (left to right)Zhejiang Yongjia Kunqu Opera Troupe The Number One Scholar Zhang Xie  Lin Meimei (middle)Yunnan Dian Opera Theatre Going to War from The Lady Generals of the Yang Family  Wang YuzhenExperimental Theatre of Liyuan Opera of Fujian  Chen San and Wuniang  Zeng JingpingHaifeng Baizi Opera Troupe of Guangdong Chrysanthemum  Yu Jincheng (Middle)No.2 Troupe of Yu Opera Theatre of Henan The Breezy Pavilion  Li Shujian (left), Bai Qing (right)

Guided Talks

9  May (Fri)7:30 pm

AC2, Level 4, Administration Building, Hong Kong Cultural Centre

The Development and Distinctive Features of
Dian Opera of Yunnan

speaker Chen Shu (Critic of Chinese Opera)
  • In Cantonese
  • Free admission. Limited seats available on a first-come-first-served basis.
16  May (Fri)7:30 pm

AC1, Level 4, Administration Building, Hong Kong Cultural Centre

From Zaju of Wenzhou to Kunqu of Yongjia:
The Life Career of Yongjia Kunqu

speaker Cheng Peikai (Visiting Professor, Chinese Civilisation Centre, City University of Hong Kong)
  • In Putonghua
  • Free admission. Limited seats available on a first-come-first-served basis.
23  May (Fri)7:30 pm

AC1, Level 4, Administration Building, Hong Kong Cultural Centre

Looking at Haifeng Baizi Opera from a Hong Kong Perspective

speakers Li Siu-leung (Associate Professor, Department of Cultural Studies, Lingnan University; Editor-in-chief, Annals of Chinese Opera: Hong Kong Volume)
Lum Man-yee (Researcher Associate, Kwan Fong Cultural Research and Development Programme, Lingnan University; Associate Editor-in-chief, Annals of Chinese Opera: Hong Kong Volume)
  • In Cantonese
  • Free admission. Limited seats available on a first-come-first-served basis.
30  May (Fri)7:30 pm

AC1, Level 4, Administration Building, Hong Kong Cultural Centre

On Liyuan Opera of Fujian as a Living Fossil in
Chinese Opera

speaker Wong Wai-man (Artistic Director of Hong Kong Chinese Arts Promotion Centre)
  • In Putonghua
  • Free admission. Limited seats available on a first-come-first-served basis.
6  June (Fri)7:30 pm

AC1, Level 4, Administration Building, Hong Kong Cultural Centre

The Development and Distinctive Features of
Yu Opera of Henan

speaker Chen Shu
  • In Cantonese
  • Free admission. Limited seats available on a first-come-first-served basis.